Landscapes of light, weather, and quiet change.
These works explore the emotional atmosphere of Northern ecosystems — where shifting skies, wind-swept ridges, and filtered light become the silent protagonists. Each piece reflects a moment where nature’s mood and memory meet.
Mountain Views (sold), Oil on canvas. 18 x 24 inches. Inspired by the rugged terrain of Tombstone Territorial Park in the Yukon, this painting reflects on the quiet grandeur of northern ecosystems — vast, vulnerable, and vital. "Mountain Views" is a meditation on beauty and impermanence, shaped by the pressures of global warming and encroaching human activity. Photo reference: Matt Jackisch
In-room view (sold)
Hideaway on the Wild Side. Oil on canvas. 18 x 24 inches. Tucked in the forest behind the Haida House in Tlell, Haida Gwaii, this painting reimagines a forgotten shack as a quiet refuge — a space of memory, weather, and wildness. Hideaway on the Wild Side explores what remains when nature begins to reclaim the human-made, inviting stillness, curiosity, and reverence for the land’s layered stories.
In-room view
Amid the Heat. Acrylic on canvas, 10 x 10 inches. Golden petals flare against shifting skies; these California poppies bloom defiantly along BC’s coast. Their delicate brilliance belies a tenacity — thriving in sun-baked soil, persisting through drought and flame. A testament to quiet resilience, they flourish not in spite of the changing climate, but as bright witnesses to it.
They Flourish. Acrylic on canvas, 10 x 10 inches. Golden petals flare against shifting skies, these California poppies bloom defiantly along BC’s coast. Their delicate brilliance belies a tenacity — thriving in sun-baked soil, persisting through drought and flame. A testament to quiet resilience, they flourish not in spite of the changing climate, but as bright witnesses to it.
Tug at Dusk, Vancouver Narrows. Acrylic on cradled wood, 10 × 10 inches. A quiet tribute to working waters, this small painting captures a tugboat slipping through the Vancouver Narrows at dusk. Beneath a sky streaked with salmon pink and brooding blue, the vessel becomes a silhouette of strength and solitude — part of the coastal rhythm that sustains the harbour.
In-room view
Nai'kun House Point. Acrylic on canvas, 15 × 30 inches. Inspired by Haida Gwaii and the powerful Haida origin story, this piece honours the sacred shoreline of Nai'kun House Point — where land, sea, and sky converge. With sweeping waves and circling gulls, the painting whispers a longing: that these waters remain pure, the sands undisturbed, and the ancestral stories carried forever in the wind.
In-room view
Somewhere In…. (sold). Acrylic on canvas, 24 x 18 inches. 'Somewhere in...' invites the viewer to pause at an open gate — a gesture of welcome, wonder, and wandering. With sky stretched wide and grasses whispering in the breeze, this farmer’s field becomes a symbol of possibility: what lies just beyond, seen and unseen? Painted from a photograph by Frank Haran, this quiet scene evokes both rootedness and release — a portrait of place, and the paths that call us onward.
In-room view (sold)
Resilient Bigleaf Maples. Acrylic on canvas, 20 x 16 inches. This painting celebrates the enduring presence of bigleaf maples in Bridgman Park, North Vancouver — trees known for their strength, adaptability, and wide, sheltering canopies. Here, their twisting trunks and long violet shadows stretch across a sunlit forest floor, echoing the quiet energy of a coastal woodland.
In-room view
Paddles Uniting. Acrylic on canvas, 24 x 30 inches. In this calm stretch of coastal water between Vancouver and Vancouver Island, two paddlers move in quiet rhythm — together, yet small against the vast expanse of sea and sky. Based on a real couple the artist knows, this painting is a meditation on harmony: between people, with nature, and within ourselves.
In-room view
Scarred Wealth. Acrylic on canvas, 40 x 16 inches. This piece confronts the legacy of industrial logging in Haida Gwaii, where clearcutting has stripped away ancient ecosystems and cultural memory. Inspired by Emily Carr’s Scorned as Timber, Beloved of Sky, the painting centers a single wounded tree, a last haven for displaced wildlife. Above, a forestry helicopter airlifts a scroll marked with symbolic wealth — its roots dangling — as if value can be extracted without consequence. Scarred Wealth is a visual protest: a call to reexamine the cost of profit-driven land use and to defend what remains.
Pulse (sold). Acrylic on canvas, 30 x 24 inches. A quiet rhythm flows through this monochrome view of the Seymour River — the same waters that once bore the burden of a landslide’s destruction and the resilience of salmon carried by truck to reach their spawning grounds. Swimmers drift like echoes of life, barely seen but wholly felt. This painting honours both human and ecological healing — the way a river holds memory, and how we return to it to find our own pulse again.
Take a Journey Without Destination (sold). Acrylic on canvas, 20 x 24 inches. Inspired by Alberta’s storied open roads, this piece invites the viewer to surrender to motion — not for where it leads, but for the quiet revelations along the way. With no fixed end in sight, the journey becomes the destination. The road curves gently through imagined terrain, echoing the meandering paths we take through memory, longing, and becoming.
Varnish stage (sold)